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A TOUR DE FORCE OF AUTOBIOGRAPHICAL FICTION
from a review by
Lew Hamburg for The
Olympian, February 20, 2005
Alec Clayton is an artist,
writer, husband and father. He is also a refugee from chain bookstore
management and “little” magazines. This book is the great circus train wreck
that was America from the 1950s to the 1990s. It moves not only in time, but
also in space, from the Deep South to New York City and Seattle. This
landscape is populated by artists, art gallery owners, possible saints and a
prostitute redeemed by the love of a good man. Now there’s a bit of gender
role reversal. Characters are straight, gay and bisexual. Sex, drugs and the
last taboo, creativity loom large in the tale. If this book had a soundtrack,
it would be rock and roll played on a calliope.
In the 1960s, artist Lane
Felts flees the South to New York City after being jilted by his lover
Palmer Jackson. He falls under the spell of Scully McDonald, a failed
seminarian who runs Everything for Everybody, a grassroots organization that
houses the homeless and feeds the hungry. Scully launches prostitute Becca
McDonald in a direction that leads to redemption. McKenzie, Becca’s
daughter, becomes a successful gallery owner in Seattle. While searching for
her father Scully, she represents both Palmer and Lane. More coincidences
than a Dickens novel, but smoother and more believable.
The characters are complex
emotionally and have depth. I enjoyed Alec Clayton’s second novel as much as
the first (“Until the Dawn”) and look forward to his third. A tour de force
of autobiographical fiction.
An original, rambling look at
Americaby Steve Schalchlin for amazon.com
From the idealistic would-be priest who gets tossed out of the seminary for
"imprudent zeal" to the "wrong side of the tracks" musician and artist from
Mississippi to the hooker's daughter in Seattle still looking for her daddy,
Imprudent Zeal is filled with wide-ranging characters and the colorful specifics
of their lives.
The rambling storyline felt comfortable and kept me smiling and watching
expectantly to see where these peoples' lives would finally intertwine.
Alec has a nice feel for place and time. I could feel the suffocating heat in
Mississippi and the bone chilling rain of a lonely man at a train station on
Long Island New York. I also loved learning more about the art of painting.
If I had any criticism, it's that I wish he'd slow down the pace a bit and
really plunge us farther into each individual person's heart. I felt sometimes
that the narrative became a little too much of, "They went here. They went
there. They went to another place" and occasionally I got the feeling I was
still in the introduction, waiting for the story to begin.
Eventually, though, his compassion for these wayward souls comes through and the
book slowly and finally drew me in to the point that it surprisingly became a
page turner. I was racing to get to the end to find out how it would all turn
out.
The central part of the story takes place in New York at a kind of "do it
yourself" community center called "Everything For Everybody" run by the exiled
would-be priest. Those scenes throb with reality and color, and the mix of
characters felt bone real since it's based upon a real place. Worth the price of
admission alone.
Alec has constructed a lovely book filled with warm, well-meaning people all
trying to find a place in a world that makes little sense to them. I do
recommend it.
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